Moroder later expressed that he could have been more precise when the duo had interviewed him, as he felt his recording had faltering grammar in a few places. ![]() He was told by the engineer there that "Giorgio by Moroder" was coming along well, but that the engineer was not at liberty to discuss the track further. Moroder did not receive an update on the progress of the song until six months prior to the release of the album Moroder happened to be in the same studio in Paris where Daft Punk had been working at that point. Nile Rodgers was also present during the voice recording sessions, which took place over the course of two days. The engineer added that although most listeners would not be able to distinguish between each microphone, Bangalter would know the difference. The recording engineer explained that the microphones varied with origin dates that ranged from the 1960s to the 21st century, and that each microphone would be used to represent the different decades in Moroder's life. When Moroder arrived in the studio to record his monologue, he was initially perplexed that the booth contained multiple microphones he wondered if the extra equipment was a precaution in case one of the microphones broke. The arpeggio heard throughout "Giorgio by Moroder" was captured in these initial sessions, "with layers of that arpeggio played via MIDI through different synths to create that great sound." Franco described the tests as "very fun and loose sessions", and was pleasantly surprised that some of the parts ended up in the final product. Peter Franco, who served as an audio engineer on the album, recalled that Daft Punk had wanted to conduct some tests at Henson Recording Studios early in the production process. Upon hearing "Giorgio by Moroder" in complete form, he felt that it had been inspired by his own recordings, particularly "I Feel Love". ![]() Among the topics Moroder spoke of in his monologue was his creative process behind Donna Summer's album I Remember Yesterday (1977) and its closing track " I Feel Love". ![]() Daft Punk based the composition on a demo the duo had made years earlier, specifically because they felt that the piece resembled Moroder's style. Then they would know what to do with it." Moroder further explained that he was unaware of how the duo would incorporate his monologue, at one point thinking the duo "might cut it up into a rap". Thomas asked me if I wanted to tell the story of my life. Moroder clarified that he was not involved in the composition of the track: "They did not let me get involved at all. The duo had been in contact with Moroder in relation to a possible contribution for the Tron: Legacy (2010) film score, but this never occurred. "Giorgio by Moroder" was created to serve as a metaphor about musical freedom, as Daft Punk believed that a monologue by Moroder about his career would serve as an analogy for music's history regarding exploration of genres and tastes. Daft Punk's pitch to Moroder was to conduct an extensive interview with him, and to edit excerpts of the resulting monologue into a documentary song. Giorgio Moroder first publicly mentioned his collaboration with Daft Punk in May 2012 he revealed that he had recorded a monologue about his life for a track on the album. "Giorgio by Moroder" charted in France and Sweden due to downloads of the album.īackground "Giorgio by Moroder" features the voice and story of Giorgio Moroder. ![]() The song features a monologue by Italian musician Giorgio Moroder, who speaks about his early life and musical career. " Giorgio by Moroder" is a song written and recorded by French electronic music duo Daft Punk for their fourth studio album, Random Access Memories (2013). Check out the one-off livestream of the “Twitch of the Mayan 97” concert here.2013 song by Daft Punk "Giorgio by Moroder" Vinyl editions of Homework and Alive ’97 are out 4/15. Watch the stream below.Ġ2 “Revolution 909” (Roger Sanchez & Junior Sanchez Remix)Ġ3 “Around The World” (Tee’s Frozen Sun Mix)ġ1 “Around The World” (Original Lead Only)ġ5 “Revolution 909:” (Revolution A Capella) The Twitch stream comes in tandem with another surprise announcement that Daft Punk’s landmark debut album is getting a digital deluxe box set featuring 15 remixes from the original Homework (nine tracks were previously unreleased on streaming platforms): Masters At Work, DJ Sneak, Todd Terry, Motorbass, Slam, Ian Pooley, I:Cube, and Roger Sanchez & Junior Sanchez. The set was part of the duo’s Daftendirektour concert tour, which would later be recorded into Daft Punk’s live album, Alive ’97. In honor of Daft Punk’s 1997 debut album Homework turning 25, Twitch has launched a stream - starting at 2:22 PT - of the electronic pioneers’ Decemconcert at the Mayan Theater in Los Angeles.
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